![]() The film is clearly unfinished in many regards. It's rather unfortunate that funding ran out and the project had to be hurriedly wrapped, quite a similar heartbreaking story as to what happened with his previous year's WIZARDS. Most everything comes together quite well here with the bizarre rotoscoped animation, the characterizations, the voice performances, and Leonard Rosenman's supercharged score (one of his career best, up there and quite similar to his work on THE CAR and RACE WITH THE DEVIL). ![]() Lord of the Rings is some overall dark, intriguing material in comparison with The Hobbit and really was deserving of something imaginative and stylistic as only Bakshi's team could deliver. Bakshi always had a flair for adult-oriented animation, and finally with this he found a subject befitting of his style. However as the years have gone by and the Jackson adaptations come and gone, I feel more and more drawn to this rare piece of absolutism as I would a painting by Vincent Van Gogh or Salvadore Dali. Also at the time I didn't really care for the animation, which I found to be rather cold and creepy (having no idea it was rotoscoped or even what rotoscoping was). As a kid I was quite astonished with the dark and gloomy tone of this film, especially in comparison to Rankin/Bass's take on the same material around the same period.
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